I'm elevating laziness to new, heretofore unreachable plateaus. I spent a good portion of the day on the couch watching episode six of The War, Punch-Drunk Love (which I hadn't seen in awhile but still have a strong affection for), episodes of Seinfeld and The Simpsons. I DID manage to come up with a few notes for the Bibliography presentation I'm making on Red Badge of Courage with this guy Paul on Monday. I'm meeting with him tomorrow to shoot the shit about what we're going to talk about in class. We only have five minutes each to talk, so I have the thing pretty much halfway written anyhow.
I bought a package of mini powdered donuts. I'm going to try very hard to never buy them again.
Tomorrow: essay.
Friday, December 7, 2007
Thursday, December 6, 2007
Welcome to post #100. I think I hear trumpets blaring.
Today I watched the Visconti film version of Death in Venice, which looks great and has an interesting take on certain scenes that should work well with arguments in my paper.
After the film I went downtown for my meeting with the man, George Elliott Clarke. We sat in the bar of the Intercontinental Hotel and talked about the course before moving onto all things Ottawa. He spent five years living there and makes a visit at least once a month for various reasons. He said that it's a city that's very closed off from other Canadian cities and operates differently with respect to its arts. I asked him what he thought of the arts in Ottawa, and he told me the following anecdote:
In 1989 a sculpture of two children sitting on a bench was dropped off out front of the Library and Archives Canada building by its artist, Lea Vivot. The bench sculpture stayed in front of the building for a year before someone in the government realized that it hadn't been given official permission to be there. So, Vivot was forced to remove it. In 1994, it was replaced by a casting with inscriptions of various people across Canada (including Clarke) related to the importance of reading.
Now, that's Clarke's version of the story, but Vivot definitely said this in an Ottawa Citizen interview: "The building needed something and I don't feel that artists have the time to go through the bureaucratic approach. In the same amount of time that it would take to go through all this (bureaucracy) I can cast another sculpture and enhance another space."
That word "bureaucracy" is one that Clarke kept using when describing the state of the arts in Ottawa. I don't know much about bureaucracy. I've always had a difficult time figuring out how a dominating political climate can affect a city's artistic output. But the anecdote he used points towards the idea that the art that doesn't receive any kind of direct government support to place it into public consciousness is ignored entirely at a federal level. Artists are left to fend for themselves after the offices and galleries shut down for the day.
Now, perhaps that's not so bad for a community - finding a little wherewithal. But this leads to Clarke's second point. In the artistic sphere, Canada is markedly different from the United States; whereas the States operate as a republic that encourages the growth of populist art, Canada still operates under monarchical influence that encourages a gravity towards classical forms. That's why the country has no Bob Dylan.
Canadian literature resides solely in the academic realm. Clarke's concerns seem to lie in revisiting our own literature (mentioning specifically MacLennan and Raddall) rather than in continuing to develop old themes and structures belonging to European nations. He wishes that our literature could find its way out of the forests and into the cities. He sees Quebec as the only part of the country that's producing art with a unique voice because it holds so fast to French-Canadian identity.
Most significantly, I think, is his observation that Canada is hierarchical in nature and prone to memory loss, and this goes beyond the ideas he brought forward regarding African-Canadians in his class. Clarke is worried that people (as a populous, not as academics) are already starting to forget Mordecai Richler, to forget Irving Layton, all the way back to the relevance of Canada's earliest authors. The Canadian attitude has always been to wipe the slate clean and start over in a search for something new, yet they can never seem to cut this invisible umbilical cord from England. Until the populous decides to build from its own recent history, Canada will remain an idea in a university in search of practical fulfillment.
We talked for an hour and a half. I got him to sign a couple of books before I shook his hand and left. I'm not sure I agree with everything he said, but I know I could have sat there for a lot longer sharing ideas with him. I don't get to share as many ideas as I used to. That part of it felt good.
When I got home I watched Die Hard to officially kick off my Christmas season. Tomorrow I should start getting at that Opera paper (though I still have 4 whole days).
Today I watched the Visconti film version of Death in Venice, which looks great and has an interesting take on certain scenes that should work well with arguments in my paper.
After the film I went downtown for my meeting with the man, George Elliott Clarke. We sat in the bar of the Intercontinental Hotel and talked about the course before moving onto all things Ottawa. He spent five years living there and makes a visit at least once a month for various reasons. He said that it's a city that's very closed off from other Canadian cities and operates differently with respect to its arts. I asked him what he thought of the arts in Ottawa, and he told me the following anecdote:
In 1989 a sculpture of two children sitting on a bench was dropped off out front of the Library and Archives Canada building by its artist, Lea Vivot. The bench sculpture stayed in front of the building for a year before someone in the government realized that it hadn't been given official permission to be there. So, Vivot was forced to remove it. In 1994, it was replaced by a casting with inscriptions of various people across Canada (including Clarke) related to the importance of reading.
Now, that's Clarke's version of the story, but Vivot definitely said this in an Ottawa Citizen interview: "The building needed something and I don't feel that artists have the time to go through the bureaucratic approach. In the same amount of time that it would take to go through all this (bureaucracy) I can cast another sculpture and enhance another space."
That word "bureaucracy" is one that Clarke kept using when describing the state of the arts in Ottawa. I don't know much about bureaucracy. I've always had a difficult time figuring out how a dominating political climate can affect a city's artistic output. But the anecdote he used points towards the idea that the art that doesn't receive any kind of direct government support to place it into public consciousness is ignored entirely at a federal level. Artists are left to fend for themselves after the offices and galleries shut down for the day.
Now, perhaps that's not so bad for a community - finding a little wherewithal. But this leads to Clarke's second point. In the artistic sphere, Canada is markedly different from the United States; whereas the States operate as a republic that encourages the growth of populist art, Canada still operates under monarchical influence that encourages a gravity towards classical forms. That's why the country has no Bob Dylan.
Canadian literature resides solely in the academic realm. Clarke's concerns seem to lie in revisiting our own literature (mentioning specifically MacLennan and Raddall) rather than in continuing to develop old themes and structures belonging to European nations. He wishes that our literature could find its way out of the forests and into the cities. He sees Quebec as the only part of the country that's producing art with a unique voice because it holds so fast to French-Canadian identity.
Most significantly, I think, is his observation that Canada is hierarchical in nature and prone to memory loss, and this goes beyond the ideas he brought forward regarding African-Canadians in his class. Clarke is worried that people (as a populous, not as academics) are already starting to forget Mordecai Richler, to forget Irving Layton, all the way back to the relevance of Canada's earliest authors. The Canadian attitude has always been to wipe the slate clean and start over in a search for something new, yet they can never seem to cut this invisible umbilical cord from England. Until the populous decides to build from its own recent history, Canada will remain an idea in a university in search of practical fulfillment.
We talked for an hour and a half. I got him to sign a couple of books before I shook his hand and left. I'm not sure I agree with everything he said, but I know I could have sat there for a lot longer sharing ideas with him. I don't get to share as many ideas as I used to. That part of it felt good.
When I got home I watched Die Hard to officially kick off my Christmas season. Tomorrow I should start getting at that Opera paper (though I still have 4 whole days).
Wednesday, December 5, 2007
Jay hung a picture of a kitten sitting beside a saxophone in the bathroom. Hmm.
Today was a pretty good one, lack of sleep aside. I powered through a Starbucks coffee as I waited for the final Touch of Evil class to start - I'm pretty much always the first to arrive because of my travel schedule. I got the laptop set up, and it didn't stutter at all during my presentation on my final project. It couldn't have gone better. I apologized for not filling the full 13 minutes I was allotted, but I was assured that it was okay. I think Professor Columpar really digs the idea because it conforms so closely to what she intended for the course as a whole. I got some feedback about putting the site live, which I'd like to do despite the trouble I'd probably get into with Universal (they wouldn't take kindly to me chopping up the movie like that for a non-paying audience to see).
After class I had lunch with Tony and Eileen. I'll miss that about the semester. They're my outlets for getting out concerns about my potential academic career, plus we're all pretty well-versed in movies.
I set up shop in the EJ Pratt library for awhile to send out some emails and grab some material for an essay. I emailed Professor Hutcheon about meeting with her, which I'm going to do after class next week. After that I attended the final African-Canadian Literature class. We watched a film called Another Planet, apparently the first movie to be directed and written by an African-Canadian woman. I received feedback on my Oni presentation, along with a split grade of A-/A. I'm supposed to meet with Professor Clarke tomorrow, but I'm waiting on a final confirmation.
I ran into a couple of other folks from film class in the Bay Street subway station, Drew and Alicia, and ended up talking with Alicia for a bit since we were both heading the same way. After I got back I made dinner and watched Minority Report.
The marks are starting to come in, and the verdict so far is positive. Knock on wood.
Updated To-Do List:
Monday, December 10th: Final research paper (max. 15 pages) - Opera
Monday, December 10th: Editorial exercise - Bibliography
Friday, December 14th: Final project - Touch of Evil
Friday, December 21st: Critical reflection paper - Bibliography
Monday, January 7th: Final research paper (max. 14 pages) - African-Canadian Lit
Today was a pretty good one, lack of sleep aside. I powered through a Starbucks coffee as I waited for the final Touch of Evil class to start - I'm pretty much always the first to arrive because of my travel schedule. I got the laptop set up, and it didn't stutter at all during my presentation on my final project. It couldn't have gone better. I apologized for not filling the full 13 minutes I was allotted, but I was assured that it was okay. I think Professor Columpar really digs the idea because it conforms so closely to what she intended for the course as a whole. I got some feedback about putting the site live, which I'd like to do despite the trouble I'd probably get into with Universal (they wouldn't take kindly to me chopping up the movie like that for a non-paying audience to see).
After class I had lunch with Tony and Eileen. I'll miss that about the semester. They're my outlets for getting out concerns about my potential academic career, plus we're all pretty well-versed in movies.
I set up shop in the EJ Pratt library for awhile to send out some emails and grab some material for an essay. I emailed Professor Hutcheon about meeting with her, which I'm going to do after class next week. After that I attended the final African-Canadian Literature class. We watched a film called Another Planet, apparently the first movie to be directed and written by an African-Canadian woman. I received feedback on my Oni presentation, along with a split grade of A-/A. I'm supposed to meet with Professor Clarke tomorrow, but I'm waiting on a final confirmation.
I ran into a couple of other folks from film class in the Bay Street subway station, Drew and Alicia, and ended up talking with Alicia for a bit since we were both heading the same way. After I got back I made dinner and watched Minority Report.
The marks are starting to come in, and the verdict so far is positive. Knock on wood.
Updated To-Do List:
Monday, December 10th: Final research paper (max. 15 pages) - Opera
Monday, December 10th: Editorial exercise - Bibliography
Friday, December 14th: Final project - Touch of Evil
Friday, December 21st: Critical reflection paper - Bibliography
Monday, January 7th: Final research paper (max. 14 pages) - African-Canadian Lit
Tuesday, December 4, 2007
The Opera presentation is in the can. The presentation itself went pretty well and got some nice compliments afterwards. I felt that I crashed a bit during the Q&A period when I messed up the chronology of the release of the film adaptation vs. the writing of the opera, doubly embarassing since I'm supposed to be writing on the film for my paper (a dead giveaway that I haven't started researching the damn thing). Still, I was able to interject on some other points. Nice to have it over with.
I took a nap after getting home and woke up at 10 to work on my presentation for the Touch of Evil Project, which I knocked out by 4 AM before hitting the sack.
I took a nap after getting home and woke up at 10 to work on my presentation for the Touch of Evil Project, which I knocked out by 4 AM before hitting the sack.
Monday, December 3, 2007
The chief design for my Touch of Evil final project is done, with the first two video clips in place. It actually looks pretty much like I'd envisioned. Tomorrow night I'll come up with some stuff to say about it for the presentation on Tuesday. You can literally, if you time it correctly, play both versions of the opening sequence at the same time, side by side with each other.
There is snow everywhere. I found out that my brother was ALSO in a car accident the other night when a truck hit the cab he was in. He's okay but kind of banged up. My family shouldn't leave the house for the rest of the winter. I'm looking forward to getting home for Christmas. It's just about time to break out some Christmas movies. It's a Wonderful Life, Scrooge, Die Hard...
God, I should be more careful about visiting old journals to double check on information. I always get pulled in and end up reading for an hour. I really used to be a pretty emotionally distraught guy, it would seem. I'm glad I've kept this blog up. Even at only a little over three months and almost 100 entries, it's been the diary I've been the most consistent at keeping, and the tone is certainly worlds different.
Looking back, it seems clear that I was deeply upset that I wasn't in love. I've had a bunch of relationships over the past ten years or so, but no matter how frequently I was with someone I would always eventually fall under the impression that I was going to be alone. This coincided with my creative side kicking at me, and all I wanted to do was write out the insecurities that kept me awake at night. I wrote more than anyone else I knew, and sometimes that made the isolation even harder to deal with. I wanted my words to stab at people's hearts and minds. I wanted them to break apart formalities and structures that I felt kept me at a distance from other people. What I perceived as bare honesty was my only weapon against being ignored and forgotten by everyone. And if my words didn't provoke a response, I felt that I was unsuccessful at being alive.
Dramatic, I know, but that's the way it was. I can be hot-headed and rash. Sometimes I think back to the period when Andrea and I started dating, and I mark it as one of the early stages in which I experienced great, positive changes in my personality. It was around the time I moved to Centretown. I had a group of friends I enjoyed hanging out with, going to the bars to drink and dance. I was able to live and not really worry too much about the future, because I knew I'd get around to it eventually. Towards the end it felt as if things were starting to fall apart. I'm hoping that when I get back, I'll be able to rediscover all of those things that made me fall for the city, in whatever new contexts they might present themselves.
More to say on that point, but I'm tired. Tomorrow the long-gestating Opera presentation finally sees delivery. I'm nervous, but I'll be glad to see it go.
There is snow everywhere. I found out that my brother was ALSO in a car accident the other night when a truck hit the cab he was in. He's okay but kind of banged up. My family shouldn't leave the house for the rest of the winter. I'm looking forward to getting home for Christmas. It's just about time to break out some Christmas movies. It's a Wonderful Life, Scrooge, Die Hard...
God, I should be more careful about visiting old journals to double check on information. I always get pulled in and end up reading for an hour. I really used to be a pretty emotionally distraught guy, it would seem. I'm glad I've kept this blog up. Even at only a little over three months and almost 100 entries, it's been the diary I've been the most consistent at keeping, and the tone is certainly worlds different.
Looking back, it seems clear that I was deeply upset that I wasn't in love. I've had a bunch of relationships over the past ten years or so, but no matter how frequently I was with someone I would always eventually fall under the impression that I was going to be alone. This coincided with my creative side kicking at me, and all I wanted to do was write out the insecurities that kept me awake at night. I wrote more than anyone else I knew, and sometimes that made the isolation even harder to deal with. I wanted my words to stab at people's hearts and minds. I wanted them to break apart formalities and structures that I felt kept me at a distance from other people. What I perceived as bare honesty was my only weapon against being ignored and forgotten by everyone. And if my words didn't provoke a response, I felt that I was unsuccessful at being alive.
Dramatic, I know, but that's the way it was. I can be hot-headed and rash. Sometimes I think back to the period when Andrea and I started dating, and I mark it as one of the early stages in which I experienced great, positive changes in my personality. It was around the time I moved to Centretown. I had a group of friends I enjoyed hanging out with, going to the bars to drink and dance. I was able to live and not really worry too much about the future, because I knew I'd get around to it eventually. Towards the end it felt as if things were starting to fall apart. I'm hoping that when I get back, I'll be able to rediscover all of those things that made me fall for the city, in whatever new contexts they might present themselves.
More to say on that point, but I'm tired. Tomorrow the long-gestating Opera presentation finally sees delivery. I'm nervous, but I'll be glad to see it go.
Sunday, December 2, 2007
The snow is really coming down outside. Welcome to December. I picked up Christmas present number one today, for Andrea. My only concern is getting it overseas without damaging it.
The Opera gang and I rehearsed today. The evidence:


I think we're more or less ready for Monday. It should be pretty funny. Unfortunately, I won't really get to SEE it, because I'm in it.
After the rehearsal I caught Before the Devil Knows You're Dead at the Varsity. The flick starts out promising but lost me in its efforts around the halfway point before its unsatisfying conclusion. No one in the film is all that likable, which would be fine if they were at least vile in a compelling way, but they aren't. Besides that, it's really the kind of thriller that's been done before both structurally and thematically, without leaving even a hint of why it should exist in the first place. I've seen a couple of Lumet's Pacino movies, which I liked, but this one felt too dreary, too obvious and too driven by its form.
When I woke up this morning my air mattress had deflated, but I couldn't find any punctures. I tried re-inflating it but it wouldn't work, so I broke out my other air mattress and filled it. Then I figured out what I was doing wrong with the other mattress, so now I have the two mattress piled on top of each other. It's double the bed. I don't know why I didn't think of doing this before.
I ate dinner, watched Dogma and uploaded some pictures. Tomorrow I have to really get a crack at that design for my Touch of Evil presentation.
The Opera gang and I rehearsed today. The evidence:


I think we're more or less ready for Monday. It should be pretty funny. Unfortunately, I won't really get to SEE it, because I'm in it.
After the rehearsal I caught Before the Devil Knows You're Dead at the Varsity. The flick starts out promising but lost me in its efforts around the halfway point before its unsatisfying conclusion. No one in the film is all that likable, which would be fine if they were at least vile in a compelling way, but they aren't. Besides that, it's really the kind of thriller that's been done before both structurally and thematically, without leaving even a hint of why it should exist in the first place. I've seen a couple of Lumet's Pacino movies, which I liked, but this one felt too dreary, too obvious and too driven by its form.
When I woke up this morning my air mattress had deflated, but I couldn't find any punctures. I tried re-inflating it but it wouldn't work, so I broke out my other air mattress and filled it. Then I figured out what I was doing wrong with the other mattress, so now I have the two mattress piled on top of each other. It's double the bed. I don't know why I didn't think of doing this before.
I ate dinner, watched Dogma and uploaded some pictures. Tomorrow I have to really get a crack at that design for my Touch of Evil presentation.
Labels:
andrea,
bed,
before the devil knows you're dead,
death in venice,
dogma
Saturday, December 1, 2007
I'm still a bit mad about a situation Andrea was put in today. She's okay but she feels even farther away when I can't be there to look out for her when she needs it.
Bibliography went down in the PIMS (Pontifical Institute for Medieval Studies) library this morning. As usual, a bunch of material was passed around for examination. I asked Professor Robins about what he considers to be the Holy Grail of undiscovered material, and he said it was signature copies of Chaucer and Shakespeare texts. The most rare book he's ever gone in search of is a notebook belonging to Leonardo da Vinci, which he discovered is locked in a vault in a French bank four stories underground and has only ever been removed twice - once to be put on display as part of an exhibit, and once to make facsimile copies for research. Needless to say, he couldn't get at it, but it gives you an idea of how far research can take you depending on what you study.
After class I signed out a copy of Stephen Crane's The Red Badge of Courage for an assignment along with a couple of DVD's from the Kelly library (the fourth library to which I now owe a return of material). I went around the campus and took some pictures. When I got home I watched Ingmar Bergman's Winter Light, a film about a pastor who loses his faith in God. It has this AMAZING scene in which Ingrid Thulin delivers this nearly 5-minute single-take monologue about loving a religious man in spite of her own atheism. Here's a still:

Great stuff. Bergman has to be my favorite filmmaker.
I also signed out Blade Runner, which I've never seen. I took a nap and then popped it in but the DVD was too damaged to play, so I watched episode five of The War instead. Tomorrow is the dress rehearsal for my Death in Venice presentation. Hopefully I'll be able to take some pictures and finally post some visual proof of my actual everyday life in Toronto (shots of me vegging out on the couch aside).
Holly was in a car accident, but she's okay. She is, however, a bit pissed that the Examiner reported it as damage done to the bridge on which she spun out. Can't say I blame her.
Bibliography went down in the PIMS (Pontifical Institute for Medieval Studies) library this morning. As usual, a bunch of material was passed around for examination. I asked Professor Robins about what he considers to be the Holy Grail of undiscovered material, and he said it was signature copies of Chaucer and Shakespeare texts. The most rare book he's ever gone in search of is a notebook belonging to Leonardo da Vinci, which he discovered is locked in a vault in a French bank four stories underground and has only ever been removed twice - once to be put on display as part of an exhibit, and once to make facsimile copies for research. Needless to say, he couldn't get at it, but it gives you an idea of how far research can take you depending on what you study.
After class I signed out a copy of Stephen Crane's The Red Badge of Courage for an assignment along with a couple of DVD's from the Kelly library (the fourth library to which I now owe a return of material). I went around the campus and took some pictures. When I got home I watched Ingmar Bergman's Winter Light, a film about a pastor who loses his faith in God. It has this AMAZING scene in which Ingrid Thulin delivers this nearly 5-minute single-take monologue about loving a religious man in spite of her own atheism. Here's a still:
Great stuff. Bergman has to be my favorite filmmaker.
I also signed out Blade Runner, which I've never seen. I took a nap and then popped it in but the DVD was too damaged to play, so I watched episode five of The War instead. Tomorrow is the dress rehearsal for my Death in Venice presentation. Hopefully I'll be able to take some pictures and finally post some visual proof of my actual everyday life in Toronto (shots of me vegging out on the couch aside).
Holly was in a car accident, but she's okay. She is, however, a bit pissed that the Examiner reported it as damage done to the bridge on which she spun out. Can't say I blame her.
Labels:
andrea,
bibliography,
campus,
holly,
ingrid thulin,
kelly library,
PIMS,
red badge of courage,
the war,
winter light
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