Showing posts with label dru. Show all posts
Showing posts with label dru. Show all posts

Tuesday, April 29, 2008

Up at 8:30, or what I'd define as an ungodly hour. Yesterday I asked for a one-day extension on my paper. I finished my arguments for Donnie Darko and wrote 13 annotations. I'm starting to think I might pull this off.

A friend of mine on Facebook posted a great note about words and phrases us grad students are relieved to no longer have to use now that classes are coming to an end. Here's my list:

- Epistemology
- Ethnocentric/graphic
- Hermeneutics
- Interesting
- Neologism
- Ontological
- Pragmatic
- Sociocultural

I know "interesting" may seem out of place on that list, but it's been a long year of people overusing that word, myself included. I can't count the number of sentences I've heard prefaced with "It's interesting that..." Saying something is interesting only goes to show that there's something you want to say about a subject but are too unfocused to actually say it. Those sentences usually end with a loss in train of thought, or the words, "Sorry, I'm rambling." Again, I'm as guilty as anyone else in perpetuating its use.

The Touch of Evil screening at Innis Town Hall was fun. Brought back some memories of last semester. Is it possible to have nostalgia for something that happened four or five months ago? Anyway, it was good to see Dru one last time before we both shoved off. It's interesting that the commentary he recorded for the film was the impetus for the reunion, yet he showed up midway through the screening because he was playing along with a Dark Knight public viral marketing campaign that let him see the new trailer. Sorry, I'm rambling.

Thursday, March 27, 2008

Yesterday took a neat turn. I went to class feeling kind of depressed and didn't say much of anything during the lecture. At the end of class Paul invited everyone out for dinner with the film crew, but I was intent on getting home and waiting out the rest of the day. I went to Robarts to see if Subway was still open, but it had just closed, so I went to catch the subway home.

I'd say I'm an adventurous guy, but sometimes I have these moments of hesitation that I end up giving myself a hard time over later. Heading to the station I thought about how good it would be to go out for a beer and relax and talk with someone. While I was waiting for the train, Dru and Andrea (from the film class I took last semester) came up behind me and reiterated Paul's invitation, so I went along. Another Ethiopian restaurant on Bloor near Ossington called Queen of Sheeba. It was mostly the same group that went out for Dru's birthday - graduate film students Sarah, Paul, Sal, and Alicia, plus Tony. After eating six of us walked to a bar at Dundas and Ossington and got wrecked. It was fun sitting around, talking shit and letting loose. Tony gave me a lift home at the end of the night and I told him and Sarah that they'd made my day.

Simple enough, but I was glad to get a second chance at turning my attitude around. The funny thing is that more than one person last night mentioned that they didn't like Wednesdays. I'm completely in that camp. Something about Wednesday gets to me. But yesterday proved an exception to the rule.

Friday, March 14, 2008

I went out last night with some folks from the Cinema Studies program for Dru's birthday. I knew a few of them superficially from classes we'd taken. The night was okay though I was in a pretty shy mood. At the very end of the night I had this weird altercation with someone in my Race and Cinema class. I was leaving the bar and she pulled me aside and apologized for being assholes. I didn't know what she meant, but she was referring back to a presentation I gave at the beginning of the semester. She and this other guy pressed me with follow-up questions about Althusser that I didn't really know how to answer, and she had heard that I was angry about it.

First of all, I wasn't the one who brought it up - someone else made the observation that they seemed to be giving me a hard time of it. I also find it kind of weird that she found out. The class is comprised of a group of English students and a group of Film students, each of them close-knit, so I suppose one of the Film students heard the comments and passed them along. I don't even really remember what was said. So I pretended I had no idea what she was talking about, and that I didn't think they were assholes. Which I don't, really. It takes a lot for a person to become an asshole in my books. I might have been annoyed at the time, given that it was my first presentation of the semester and I wanted it to go well, but questions are part of any course.

I suppose I'm explaining it here because I only know these people in the context of a classroom. I haven't made what I would consider to be any good friends during my run at U of T and I find it a bit upsetting that people would think I could harbour grudges against them.

It was a pretty okay night. Dru seemed happy. Tony came out too, who is always fun to talk to, and I'm now about 95% certain he's gay. Taking the Olivia Newton John pieces in "Summer Nights" at a karaoke bar is a pretty solid confirmation.

Saturday, December 15, 2007

I got out of bed this morning and put the finishing touches on my final project for Touch of Evil before heading to campus. I made an appointment with Dru to record some commentary audio for a track he's putting together. I met him at Innis and a few girls from the class eventually showed as well.

You know, I don't think I've ever mentioned what the movie is about.

Touch of Evil was screenwritten and directed by Orson Welles in 1958. It stars Charlton Heston as a Mexican narcotics officer named Miguel "Mike" Vargas who has just sent a prominent drug lord from the Grandi family to prison on a trafficking rap. Janet Leigh stars as Suzie, Vargas' new wife. The two are on their honeymoon and are passing through the American bordertown of Los Robles when a car coming from the Mexican side of the border explodes just after exiting customs, killing American industrialist tycoon Rudy Linnekar and a stripper from one of the local joints. Vargas involves himself in the murder investigation which is led by American police captain Hank Quinlan, who is played by Welles. Quinlan, obsessed with his own reputation and the death of his wife at the hands of a "half-breed," is racist against Mexicans and plants evidence to frame a Mexican named Sanchez who is romantically involved with Linnekar's daughter. Vargas figures out that Quinlan is crooked and spends the rest of the movie tying to prove it. Meanwhile, Suzie finds herself terrorized by the Grandi family (including Uncle Joe Grandi, played by Akim Tamiroff), who prominently reside and operate businesses in Los Robles, as a means of gaining revenge on her husband.

It's about as complicated as it sounds. Needless to say, it warrants repeat viewings and is pretty ripe for theoretical discourse, especially given the circumstances of its production and release. But I'll spare those details.

I handed in the webpage on CD, recorded the stuff and made arrangements with Dru and Alicia to see Juno at the Varsity later on. After returning some books at Robarts and sending an email to Professor Columpar about possibly continuing work on the project next semester, I walked to the Cumberland Plaza and did some Christmas shopping to kill time before the movie. I picked up some gift certificates at Indigo for Steve and my Aunt, as well as some CD's for Holly and my mom. That covers about half my list.

Juno is an amazing film, one of those rare combinations of witty writing, exceptional acting and a quirky quality that wins your heart. I quite enjoy films that take a skewed look at a very simple topic while leaving the emotional fabric intact. Ellen Page, by the way, is incredible. This was the third film I've seen her in and I'm constantly blown away by her fierce ability to play characters who are confident yet not at all self-aware - she completely drains all traces of irony out of her roles, and that's what makes her amazing. Her character in Juno uses elaborate dialogue yet delivers it youthfully while at no point paying any attention to how intelligent she is. I wish she'd been in every teen movie ever produced.

It was nice to hang out with folks. After the movie I walked home from Keele station and had dinner while watching The Simpsons before heading online and looking over some old pictures of Mod Clubs gone by. Tomorrow is Adam's 30th birthday party, an affair I'm joining halfway through for dinner, some stand-up comedy, and of course, beer.